Category Archives: All

Zoe Greenhalgh

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Zoe GreenhalghZoe is a Kodály trained Early Childhood Music Specialist with a wealth of experience of working in a wide range of Early Childhood settings. She also provides bespoke training workshops for early childhood education and music practitioners and is an Associate Tutor in Early Years and Primary Education at Edge Hill University. A former BKA Trustee, Zoe is an active musician playing the viola.

Her qualifications include MA Education, Early Years; PDC (Early Childhood Music, Kodaly); PGCE; BA(Hons); RGN.

Kodály Taster Day – 21st June 2015

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Exeter, DevonExeter

An introduction to Kodály philosophy, an inspirational concept of music education.

Tutor: David Vinden

Day includes:

  • Vocal warm-up
  • Singing together
  • Practical sessions developing real musicianship skills relevant for individual, classroom and instrumental situations

David Vinden is the co-author of Jolly Music and one of the UK’s foremost exponents of Kodály music education.

Venue: Chapel, University of Exeter, Heavitree Road, Exeter EX1 2LU

Date: Sunday 21st June 2015 9:30am – 4:30pm

Fee: £50

Please bring your own lunch. There is a Waitrose opposite the venue. Tea and coffee will be provided for breaks.

Contact: Rebecca Willson on rebeccalouisewillson@gmail.com

Kodaly Taster Day Exeter May 2015 Application Form

Taster Day Exeter June 2015

Certification Fees

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These fees were for the 2015 applicants. Updates for 2016 will be added here when confirmed.

A deposit of £100 is required to secure your booking. To book your place, please complete the Kodály Summer School application form.

PART ONE of the CERTIFICATE COURSE at the BKA SUMMER SCHOOL

RESIDENT: £619.00/699.00 (includes accommodation, meals and break refreshments)
Payable before the 9th of August, 2015

OR

NON – RESIDENT: £520.00 (includes meals and break refreshments)

The timetable for the Summer School for Level 1 Certificate Students can be found here.

PART ONE post the BKA SUMMER SCHOOL
£456.00 (payable by 31st December 2015)

  • Study Day 1 (November 2014)
  • Mentoring
  • Marking

TOTAL FEES FOR PART ONE: £1075.00/£1155.00 (or £976.00 if non-resident at Summer School)

PART TWO commencing at the BKA Spring Course 2016
£895.00 payable by 30th June 2016

  • BKA Spring Course
  • Study Day 2 (June 2016)
  • Mentoring
  • Marking
  • Musicianship Assessment(if applicable): £80.00

TOTAL FEES FOR PART TWO: £895.00 [£975.00 with Assessment]

TOTAL CHARGES FOR CERTIFICATE COURSE LEVEL ONE:

£1,970.00 if resident at Summer School and qualifying for discounted rate
£2,050.00 if resident and paying full fee at the Summer School 2015
£1,871.00 if non-resident at Summer School

Add £80 to all the above for Musicianship Assessment if applicable

NB. When estimating the total financial investment in this course please allow for the cost of travel and any other related expenses for Study Days, musicianship assessment and lesson observations.

The BKA regrets that applications received after 31st July 2015 cannot be accepted

BKA Level 1 Certification Fees 2015-16 as a downloadable pdf

A deposit of £100 is required to secure your booking. To book your place, please complete the Kodály Summer School application form.

Miraculum Children’s Choir UK Tour – June 2015

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From the Kodály Music School, Kecskemét, Hungary.
Conductor: László Durányik

Friday 19th June 7.30pm, St Mary’s School, Shaftesbury, Dorset
Sunday 21st 7.30pm The Broadway Theatre, Peterborough
Tuesday 23rd June 7.30pm, Stamford School, Lincs
Friday 26th June 7pm, Emmanuel Church Barnsley
Saturday 27th June 7pm, Emmanuel Church, Barnsley
Monday 29th June 7pm, Shelley College, Nr Huddersfield
Tuesday 30th June 7pm, Surbiton Assembly Rooms, West London

Twelve first prizes in International Competitions
‘An amazing sound for a children’s choir – definitely among the best we’ve ever heard’
‘One of Europe’s great children’s choirs’ The Singer

 

Miraculum 2

Miraculum 3 Miraculum 4 Miraculum 5 Miraculum 6Miraculum Children's Choir

Summer School Private Lessons

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For Singers at the Summer School

Individual Singing Lessons are offered in rotation during the afternoons for those wishing to acquire or enhance their vocal skills through individual attention in half hour or hourly sessions with Allan Wright or Janos Klézli. Every attempt will be made to minimise the time missed from any one class. There is a supplement of £110 for four half hour lessons or £135 for five half hour lessons. The fifth lesson, if chosen, will be timetabled on the free afternoon. If choosing hour long lessons, applicants are asked to provide details of their experience as lessons of this length are not suitable for beginners. Four hour long lessons will require a supplement of £220 or £270 for five hour long lessons. NB: Timetabling singing lessons for Certificate course students will be very limited as these will have to be taken at a fixed time each day and not during class time. It will be possible to timetable 4 x 30 minute lessons for no more than two certificate students with Allan Wright and two certificate students with János Klézli.

Singers at the Summer School will also have an opportunity to develop personal musicianship skills in daily Musicianship with Relative Solfa classes. Opportunities for additional singing will be found in the Choral Music Workshop; the Level 3 and 4 Conducting classes and the Jewish Songs and Dance workshops. Rooms for individual practice will be available during the preparation time and in the evening.

Singers attending the summer school with an accompanist may also be interested in chamber music coaching with the gifted pedagogue, Orsolya Szabó. There is a supplement of £180 for three one hour sessions. The cost may be shared by the individuals in the group. A duo requesting coaching will need to provide information in advance of the repertoire to be studied and to bring multiple copies of the music to the course.

For Pianists at the Summer School

Individual Piano Lessons

Pianists seeking to improve their skills will have an opportunity to work individually in sessions lasting three-quarters of an hour with the gifted pedagogue, Orsolya Szabó. The individual lessons will be timetabled in rotation throughout the afternoon sessions with a possibility of some morning sessions. There is a supplement for individual tuition of £180.00 for four lessons, each lasting 45 minutes. Rooms for individual practice will be available during the preparation time and in the evening. NB timetabling piano lessons for Certificate students will be very limited as these will have to be taken at a fixed time each day and not during class time. It would be possible for one person on the Certificate course to have 4 x 45″ piano lessons.

Pianists may also be interested in chamber music coaching as part of a duo or trio. There is a supplement of £180 for three one hour sessions. The cost may be shared by the individuals in the group. Groups requesting coaching will need to provide information in advance of the repertoire to be studied and to bring multiple copies of the music to the course.

Chamber Music Coaching

For Vocal Duos, Piano Duos and or Instrumental Duos/Trios etc

Chamber Music Coaching sessions with Orsolya Szabó will be timetabled in rotation throughout the afternoon and will be available in a series of three one hour sessions. The cost of the coaching sessions may be shared between the participants. In these sessions complete harmony between the participants combined with a complete and deep understanding of the music will be the goal under the inspired direction of this gifted musician. According to the Kodály philosophy, starting from the whole, dismantling the elements, and building up the whole again will lead to a greater understanding of the music and a consequent enriching of the performance.

A chamber group may consist of two or more musicians in any combination, e.g singer and piano, instrument and piano, piano trio, string trio, wind duo etc. Each chamber group will be required to bring their own music stands and copies of the music that they will have chosen and prepared in advance of the course. Rooms for practice will be available during the preparation period and in the evening.

Kodály In The Klassroom – 17th and 18th October 2015

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Long Eaton, Nottingham

A practical weekend workshop on the application of the Kodály principles to classroom music teaching (Early Childhood and KS1 – easily adapted for KS2)

Tutor: Len Tyler

Location: West End Mills, Leopold Street, Long Eaton, NG10 4QD (Near Nottingham)

Who is this workshop for?
Anyone interested in classroom music teaching (preschool and primary). There is no need to be a music reader. This workshop is also suitable for instrumental teachers who want learn the Kodaly principles. Very useful for “whole class” teaching.

What will the day feature?
• Use of the basic Kodaly principles.
• Lots of songs, routines, and handouts.
• Examples of easy to produce resources.
• Loads of practical ideas (all tried and tested)

Comments from previous delegates
• Everything was marvellous and extremely useful
• All very exciting as my first experience of music teacher training. Loved the practical exercises
• Having done pre-school music for the last 10 years, and being a professional musician there were surprisingly quite a few things that I hadn’t thought about
• So many great ideas. It was all useful to me
• Len was excellent in how he explained the course. Good to listen to and very precise. I enjoyed it immensely.
• I found Len very inspiring and helpful.

Cost
£100 (including £25 per day per person discount under the “bring a friend” scheme – otherwise £150)
Single day attendance by arrangement (£80/£55)

Application Form

For more details
Phone: 01276 504666
Email: enquiries@lentylermusicschool.co.uk
Website: www.lentylermusicschool.co.uk

BKA Supported Courses are set up independently by highly skilled and experienced BKA members under the auspices of the BKA. The course fee includes a BKA registration fee which the student can redeem as a voucher for the same amount if attending another regular BKA-run course within one calendar year (i.e. within the next twelve months). Alternatively, the amount of the fee can be redeemed against one or more year’s membership of the BKA starting from the 1 July 2016.

Summer School Evening Activities

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The evenings at BKA Summer Schools can be a time to wind down or chat with new friends about the adventures of the day. However for those of us who just can’t get enough, there is a timetable of exciting and interesting evening activities.

Here is the timetable for 2015. More details to follow.

Sunday 9th August 2015, 20:00
Choral Improvisation Workshop with Dr Árpád Tóth

Monday 10th August 2015, 20:00
Workshop with Dr James Cuskelly
“Out loud: Giving everyone a reason to sing”
The importance of singing and how to engender the singing in our schools and in our communities.

Tuesday 11th August 2015, 20:00
Workshop with Allan Wright
“Power and Projection: vocal volume made easy.”

Thursday 13th August 2015, 20:00
Workshop with Dr Susan Brumfield

Friday 14th August 2015, 20:00
Party and Concert

David Vinden

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David_VindenDavid has been involved with music all his life, being a choirboy at Truro Cathedral, studying singing at the Royal Academy of Music with Joy Mammen and Pieter Van der Stolk as well as orchestral conducting with Maurice Miles. A choral scholarship from St. George’s Chapel Windsor enabled him to further his studies at Royal Holloway College. After teaching for some years he went to the Kodály Institute in Kecskemét, Hungary, for two years. He studied Solfège, Methodology as well as choral conducting with Peter Erdei. Returning to England he took up a position at the Purcell School becoming its director of music in 1987. He conducted many orchestral and choral performances on the South Bank as well as all over Britain and abroad including the Tchaikovsky Hall in Moscow. He has lectured at Trinity College of Music in orchestral and choral conducting, Birmingham Conservatoire and is currently a professor at the Guildhall School of Music. He and his Japanese wife, Yuko, founded the Kodály Centre of London in 1992 and they have produced over 30 publications for use in Kodály education. He is a member of the International Kodály Society and has given lectures and demonstrations all over the world including Westminster Choir College in the USA and Portland State University in Oregon. He works frequently with Géza and Csaba Szilvay of the Colourstrings Foundation and has also lectured frequently at the Kodály Institute and the Liszt Academy in Budapest. He is collaborating with Cyrilla Rowsell on the series of Primary school music curriculum books called ‘Jolly Music’ and is also co-authoring a book on ‘Harmony through Relative Solfa’ with Mónika Benedek. Recent editorial work includes a performing edition of Musica Transalpina 1 of 1588, The children’s songs collected by Cecil Sharp from Children and the complete canons of Cherubini. He has been conductor of the Eastcote Choral Society and the London Kodály Choir. He was awarded an honorary ARAM by the Royal Academy of Music for his services to music education and in 2007 was awarded the highly coveted ‘Kodály Institute’ award again for his services to music education and conducting work.

Allan Wright

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Allan-WrightAllan was born in the North-East of England, in the county of Northumberland. His love for music (and especially the voice) started at the age of ten when he joined a local Choir and realised that singing was the most fun anyone could possibly have, ever (even more fun than cake). He went on to become deeply passionate about musical theatre and continued his musical studies alongside his academic work in Phonetics and Phonology (degree from Manchester Metropolitan University).

Allan moved to France in his late twenties (possibly because of the cakes) and, whilst teaching at university, began to bring together his love of phonetics and the singing voice. His study of the physiological and acoustic aspects of the singing voice led him to start coaching injured singers needing rehabilitation work and, in 2010, to set up the evidence-based technique programme ‘l’académie du chanteur moderne’ (the modern singer’s academy), which has gone on to become one of the most popular singing programs in France (and is now fully funded by the French government for working singers).

In 2011 he also began training other singing teachers to work with this physiological and acoustic approach to the voice. Allan regularly coaches in-house for musical theatre and opera companies as well as working on healthy and versatile voice techniques with choirs, and artists from various musical fields (classical, rock, heavy metal, soul, RnB, pop, country etc) and often speaks at conferences on vocal pedagogy and new approaches.

Despite trying for many years, he remains unable to play the guitar, but maintains that singing is the most fun anyone can have, ever.

Alan Murdock

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Alan-MurdockAlan was born in N Ireland and his early musical training was in the local brass band. After music studies at Queen’s University Belfast, he taught in Belfast before moving to South London in 1988 where he concentrated on choral work in the John Fisher Comprehensive School.

He revived his interest in Kodály education, which he first encountered at London University, Institute of Education, with Cecilia Vajda, eventually completing an advanced course with Cecilia and attending Summer seminars regularly in Hungary and England. The Chapel Choir of boys in his school is one of the best known school choirs in the UK, getting into the finals many times of National competitions. The Boys’ Choir section reached the semi finals of the BBC’s Choir of the Year competition in 2000; achieved the “outstanding performance” award in the National Festival of Music for Youth in 2002; a “highly commended performance” award in 2004; finalist of the BBC Songs of Praise Choir of the Year 2006 and final six of the BBC Radio 3 Choir of the Year 2008. In 2010 the boys and mixed voice choirs were both South of England Area section winners of the BBC Choir of the Year. The school’s choral society has performed many of the major choral works like the Fauré Requiem, Mozart Requiem, Handel Messiah, Verdi Requiem, Britten War Requiem, Haydn Creation and Walton Belshazzar’s Feast and Louis Vierne’s setting of the Mass. Alan retired from class teaching in 2010 to enable him to further teach Kodály methodology in more schools and in the community.